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Paperback Wormwood Book

ISBN: 1513288652

ISBN13: 9781513288659

Wormwood

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Book Overview

Wormwood (1890) is a novel by Marie Corelli. Published at the beginning of Corelli's career as one of the most successful writers of her generation, Wormwood combines realism, social commentary, and family drama to tell a story of murder, revenge, and addiction set in the bustling city of Paris. Due for reassessment by a modern audience, Marie Corelli's work--which has inspired several adaptations for film and theater--is a must read for fans of nineteenth century fiction. "Men such as 'Gaston Beauvais' are to be met with every day in Paris--and not only in Paris, but in every part of the Continent where the Curse, which forms the subject of this story, has any sort of sway. The morbidness of the modern French mind is well known ...]; the open atheism, heartlessness, flippancy, and flagrant immorality of the whole modern French school of thought is unquestioned." Intended as a rallying cry to English readers, Wormwood states quite clearly Corelli's beliefs on progressivism and the dangers of alcohol. Echoing the popular realist novels of French contemporary Emile Zola, Corelli provides a gritty portrait of ambition and suffering in Paris. When young Gaston Beauvais is betrayed by his fianc e and best friend, he turns from a life of promise to the promise of absinthe, beginning a tragic spiral into violence and despair. Addressing philosophical, psychological, and religious themes, Wormwood is a moving work of fiction which asks important questions about an emerging modern world. This edition of Marie Corelli's Wormwood is a classic work of English literature reimagined for modern readers.

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Customer Reviews

3 ratings

Wormwood

This was a very good book, the punctuation took a little getting used to, but the story was very good.

The Green Fairy

In 1890 Marie Corelli published her fifth novel, "Wormwood: A Drama of Paris". After moving considerably closer to Fantasy in "Ardath", Marie returns to her gothic/occult romance style with this book. The subject of the book is the degredation of society through the vice of drinking, and specifically drinking Absinthe (a.k.a. grande wormwood or la fée verte (the Green Fairy), a spirit which was thought to be addictive and a psychoactive drug and to cause madness over time. As a result, it was attacked by conservatives and prohibitionists and was eventually banned for a time in many countries. The person addicted, or the `absentheur' in this story is Gaston Beauvais, the narrator of the story. I have read that this novel is broken into three parts, but the copy of it which I read did not do so. The narrative of the story is told by Gaston from a point after he has destroyed his life and the lives of those around him, looking back on the road which brought him to this point. Gaston starts the novel as a young man who has everything going for him. He is successful in business, working for his father for a bank. His father's close friend is the Comte de Charmilles, and Gaston courts the Comte's daughter Pauline. Gaston is completely taken in by Pauline's beauty, and barely notices Pauline's closest friend and relation Héloïse, who is her cousin. Gaston takes his time in courting Pauline, even after he is resolved to marry her. It is at the same time as he intends to propose that Silvion Guidél, the nephew of the Curé comes to live with the Curé's house. In a rather forced piece of foreshadowing, Gaston takes a dislike to Silvion at the instant he first hears the name. Gaston proposes and his proposal is accepted, and as time passes and the wedding grows closer, there are more and more signs that there is an issue arising between Pauline and Silvion, but in typical Corelli fashion Gaston fails to notice anything wrong despite a narrative which could only be told by someone who was incredibly observant. At last, Pauline confesses to Gaston and pleads that he will do nothing to Silvion for honor's sake. Gaston struggles with what to do and after finally deciding to step aside he is convinced by an artist friend, André Gessonex to try absinthe, an event which completely changes Gaston's mind and he decides that he must have revenge and destroy the lives of Silvion and Pauline. One can easily see how this would be the end of the first section of the book. The second section would likely be the period in which Gaston keeps his new found obsession secret while he gets his revenge. He intends to immediately challenge Silvion, but finds that Silvion has run away back to his parents home away from Paris and that he has also decided to immediately become a priest. He keeps this information from Pauline and tells her that they should keep the situation secret for now and proceed as if they still intend to be married. Pauline trusts him but a

An excellent edition of an overlooked pulp classic!

Corelli is a wonderful writer and it is about time her books receive the academic notice they deserve. There is an unfortunate academic snobbery that smells of if-it-isn't-Joyce-it's-not-literature in many circles. Get Over Yourselves! This book, and the Victorian Sensation Fiction movement that produced it, is wonderful! Take off the seat-belt and return to reading for the pure joy of it. Wormwood is a blast to read- hyperbolic, overblown, yes! The monkey-boy is worth the price of the book alone, but then add on the creepy trips to the Paris mortuary, the weird violinist, and crazed, absinthe induced tripping, and the book is a total delight! (seriously, it should come with a sound track as you read- You can almost hear the BUM-BUUUMMMMMMMMMMMM of an orchestra at key points, Oh Pauline!!!! Don't JUMP!) The intro is well written and informative- It's great to see Corelli get noticed again. She was a incredibly strong woman with a powerful imagination. Bring it on! (Grad students... are you listening? There is a TON of unchartered territory in Corelli- Great thesis topics abound in her books!) this edition rocks!
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