Producing still life art can be a satisfying experience, as the artist can paint any object from any angle and the light source modified.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting practices.In total, 26 common "peeves" associated with still life painting are tackled within this book. In 6 sections, a myriad of other matters relating to still life painting are explained, such as specialised painting techniques, composing a still life, lighting, and preparatory chapters on the art materials, liberally spiced with numerous images and diagrams.Dimensions of this large edition: 8x10in and 72 pages. Pocket sized edition and Kindle version also available.Note: This book is also included in a three-book in one trilogy: The Ultimate Oil Painting Solution: for Landscape Art, Portraiture and Still Life.The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.
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