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Paperback Underground River and Other Stories Book

ISBN: 0803259271

ISBN13: 9780803259270

Underground River and Other Stories

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Format: Paperback

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Book Overview

In s Arredondo (1928-1989) published just three slim volumes of stories over twenty-three years, yet her reputation as a great writer, "a necessary writer," is firmly established in Mexico. Her works dwell on obsessions: erotic love, evil, purity, perversion, prostitution, tragic separation, and death. Most of her characters are involved in ill-fated searches for the Absolute through both excessively passionate and sadomasochistic relationships. Inevitably, the perfect, pure dyad of two youthful lovers is interrupted or corrupted through the interference of a third party (a rival lover or a child), aging, death, or public morality.

Set at the beginning of the twentieth century in the tropical northwestern Mexican state of Sinaloa, the stories collected in Underground River and Other Stories focus on female subjectivity. Arredondo's adult male characters are often predators, depraved collectors of adolescent virgins, like the plantation owners in "The Nocturnal Butterflies" and "Shadows in the Shadows" and the dying uncle in "The Shunammite," who is kept alive by incestuous lust. Since the young female protagonists rarely have fathers to protect them, the only thing standing between them and these lechers are older women. Perversely, these older women act as accomplices-along with the extended family and the Roman Catholic Church-in the sordid age-old traffic in women.

Underground River and Other Stories is the first appearance of Arredondo's stories in English.

Customer Reviews

3 ratings

How should I start...

Let me first tell you that I have a hardcopy of this book (for posterity) and a paperback (for late night, bed-reading abuse). This book, which I found while browsing in my local library, is by far the most powerful book I have ever read. Now, that may sound so typical of reviews.."5 stars..really great!" and all of that. The depth of this book goes far beyond that of any "ratings" guide. OK, now for the content. Women, we will certainly identify with this book more than our male counterparts. Not because this is a "woman's book" which it is not. I always thought that was an ignorant term to begin with, but because most of the characters (both antagonist and protagonist) are female. This book deals with very strong themes of erotic love, evil, loss of innocence, and religious hypocrisy. All of that may sound 'juicy' but Arredondo has a way with words. Her writing is halfway between poetic prose and contains an eloquency beyond anything I have ever read in my short, yet hopefully long and fufilling life. Worth every penny.

the best book I have ever encountered.

As a lover of poetry and literature, I have found this book to be at the very pinnacle of both. The first time that you read this book, you are going to be overwelmed. Different than other books that paint imagery and scenery into your mind, Ms. Arrondondo brings to us a world of experience and emotion that lies dormant until awakened. We then realize--these passions live in all of us.

Estupendos cuentos, comparables con los de Rulfo y Arreola.

La Sunamita, es un análisis profundo de las relaciones familiares tradiconales en México, combinado con la influencia religiosa de "lo que debe de ser", a costa de la dignidad humana. La protagonista termina con sentimientos de culpa, con su soberbia desecha y con el rencor perpetuo a la vida que la obligó a perder su pureza. Mariana enfrenta al lector con la "anormalidad" de la pasión-locura, y con todos los prejuicios de una sociedad provinciana, que nunca entiende a la protagonista por ser "diferente" de los demás. La Señal es quizás el mejor cuento que jamás escribió Inés. La señal de la humillación, en un episodio religioso, es genial. Año Nuevo es una de las joyas literarias, que en seis líneas narra toda la historia de una mujer que sufre. Río Subterráneo trata también de la locura como la "anormalidad" de un ser, y la fatalidad de enloquecer para entender a la locura. Las Palabras Silenciosas es un cuento en el que se resumen los problemas de incomunicación entre dos culturas muy alejadas entre sí, y la importancia de la palabra en esta comunicación. Orfandad es un cuento también dedicado a la incomunicación, a través de una anécdota espeluznante. Las Mariposas Nocturnas refleja, con singular maestría, no sólo las costumbres de una época, sino los problemas íntimos de la homosexualidad (Don Hernán)y de los valores de la satisfacción artística (Lía). Dos cuentos preciosos (Los Hermanos y De Amores), precisamente sobre el amor en su máxima expresión. Los Espejos, (el último cuento que escribió) es un retrato de familia llevado a sus últimas consecuencias literarias, proustianas, de una ternura inmensa, y, creo, es una joya del romanticismo. Por último, Sombra entre Sombras, es un verdadero ensayo sobre la pureza y la concupicencia, analizándolas desde varios puntos de vista, pero que tienen un fundamento único, que es el amor (otra vez) llevado a sus últimas consecuencias. Hay otros cuentos traducidos al inglés, en diversas revistas universitarias, que! es muy recomendable buscar, para disfrutar de la obra completa de esta escritora singular en las letras latinoamericanas. Gracias por leerla.
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