Considering everything from Nike ads, emaciated models, and surgically altered breasts to the culture wars and the O.J. Simpson trial, Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight--which explores the social and political underpinnings of women's obsession with bodily image--to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, she argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Bordo writes with deep compassion, unnerving honesty, and bracing intelligence. Looking to the body and bodily practices as a concrete arena where cultural fantasies and anxieties are played out, she examines the mystique and the reality of empowerment through cosmetic surgery. Her brilliant discussion of sexual harassment reflects on the Clarence Thomas/Anita Hill controversy as well as the film Disclosure. She suggests that sexuality, although one of the mediums of harassment, is not its essence, and she calls for the recasting of harassers as bullies rather than sex fiends. Bordo also challenges the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. Finally, in a powerful and moving essay called "Missing Kitchens"--written in collaboration with her two sisters--Bordo explores notions of bodies, place, and space through a recreation of the topographies of her childhood. Throughout these essays, Bordo avoids dogma and easy caricature. Consistently, and on many levels, she demonstrates the profound relationship between our lives and our theories, our feelings and our thoughts.
I find Bordo's work, as always, resonant and timely. It is a strange experience reading the negative reviews on this site - every time I read Bordo I feel I have happened upon a gem.
I'm the author, and I've never done this before....
Published by Thriftbooks.com User , 23 years ago
That is, publicly comment on other people's evaluations of my work. I'm usually happy to let others decide the value of my writing...which is why I'm writing this--to encourage readers to judge "Twilight Zones" for themselves rather than on the impression created by the Kirkus Review and the second customer comment on this page. I don't care about the "stars" (I only rated myself because I was asked to.) But I do care about the misleading prominence of comments written by people whom I believe are not in touch with current cultural trends or their impact on our lives. Essays from "Twilight Zones" are being reprinted in first-year textbooks for undergraduate students. Yet the perception that this is an obscure, irrelevant, self-indulgent tome dominates this page. I think that's an extreme misrepresentation....
The critical implications of everyday life
Published by Thriftbooks.com User , 24 years ago
Bordo's Twilight Zones continues the powerful critical trajectory set up by her award-winning Unbearable Weight, showing how media impacts our daily lives in the most intricate ways. More than any other public intellectual writing today, Bordo's writing is a compelling and passionate analysis that clears up many forms of mystification, academic and cultural. This book provides new and complicated ways of understanding contemporary events and how they are created/represented in the mass media, and how these creations in turn work to shape our lives.
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