The Words of Every Song: The Words of Every Song: A Novel
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Book Overview
From the acclaimed author of Long Bright River and Heft, a novel that allows us to take a peek behind the curtain of the music industry Liz Moore shows us the inner workings of an industry we've been fascinated with for decades. In these fourteen linked episodes, we meet a cast of characters from all the corners of the industry that we've come to glamourize. There's the arrogantly hip, twenty-six-year-old A&R man; the rising young singer-songwriter; the established, arena-filling rock star on the verge of a midlife crisis; the type-A female executive with the heavy social calendar; and other recognizable figures. Set in the sleek offices, high-tech recording studios, and grungy downtown clubs of New York, The Words of Every Song offers an authenticity drawn from Liz Moore's own experience and brings an insider's touch to its depiction of the music industry and its denizens.
Format:Paperback
Language:English
ISBN:0767926420
ISBN13:9780767926423
Release Date:July 2007
Publisher:Crown Publishing Group (NY)
Length:336 Pages
Weight:0.66 lbs.
Dimensions:0.8" x 5.2" x 7.9"
Customer Reviews
5 ratings
Good and Believable
Published by Thriftbooks.com User , 17 years ago
I really enjoyed the stories in The Words of Every Song. Since I'm a musician I tend to be very skeptical of stories about bands/musicians since a lot of them are way off and stereotyped (drug problems, instant stardom, infidelity). Some were in here, but overall I think Moore did a good job and really showed her knowledge of the music world, and I enjoyed how the stories connected. I'd read another book by her.
Songs you know by heart
Published by Thriftbooks.com User , 17 years ago
Just awesome, finished in one sitting, cannot wait for further books, it was beautiful. Loved it
Just So
Published by Thriftbooks.com User , 17 years ago
This is a thoughtful and lovely book. Ms. Moore has an ability to effortlessly get the reader under the skin of each character in such a way that I was invested and sympathetic with all of them. Poignant, touching, sometimes surprising. This is one of those books that has some special magic about it that is difficult (for me, apparently) to specifically describe, but you'll know when you read it. Like listening to 'Tapestry' for the first time - you just know its good.
Instead of Flowers
Published by Thriftbooks.com User , 17 years ago
I gave this book to my favorite people this summer. Made them all happy, too. What a delight! I whipped through at one sitting, waited a day, then read it again. The second time was to read the sentences that haunted me, shut the book for a minute, and sit looking at the blue sky.... There are characters that I want to have more on: they could stand alone in a book of their own. One in particular I couldnt stand, but still want an entire book about her. This book is from a new voice - fresh, funny, bitter-sweet and sharp. I cant wait to get my hands on more from this woman.
Excellent debut
Published by Thriftbooks.com User , 17 years ago
This book is a novel, yes, in a loose sense. Fourteen vignettes: different characters, different thoughts, different subplots. I didn't mind, except where I was sad to see a story end. The separate tales interweave slightly - sometimes too slightly to count, it seems! - and I liked nearly all of them. Undoubtedly the most poignant were those in which the protagonist was a teenager. Moore manages, at times, to perfectly capture the pain of adolescence. I'm glad I randomly bought this book (even if it is told in the present tense, ha). There's something real about Liz Moore's style, something inexperienced, almost adolescent, that makes you relate to the characters. Their emotions are so visceral and so open. You can remember (or imagine very well) worshiping that band at age 16, being scared to talk to your crush in class, listening to a newly discovered album in the car at night. The novel does give the reader hints that the author is new and not quite set in her style. But I think therein lies some of its appeal. Sometimes telling rather than showing the reader can actually be more powerful, it seems.
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