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Paperback The Lady and the Virgin: Image, Attitude, and Experience in Twelfth-Century France Book

ISBN: 0226300889

ISBN13: 9780226300887

The Lady and the Virgin: Image, Attitude, and Experience in Twelfth-Century France

(Part of the Women in Culture and Society Series)

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Format: Paperback

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Book Overview

Penny Schine Gold provides a bold analysis of key literary and artistic images of women in the Middle Ages and the relationship between these images and the actual experience of women. She argues that the complex interactions between men and women as expressed in both image and experience reflect a common pattern of ambivalence and contradiction. Thus, women are seen as both helpful and harmful, powerful and submissive, and the actuality of women's experience encompasses women in control and controlled, autonomous and dependent.

Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women.

" The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."-Joel T. Rosenthal, The History Teacher

"Something of a tour de force in an interdisciplinary approach to history."-Jo Ann McNamara, Speculum

" A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."-R. Howard Bloch, Modern Philology

Customer Reviews

1 rating

Excellent text, of broader interest than the title suggests.

An indisciplanary work which has served me well since first I read it, Schine-Gold's book achieves its remarkable results through an intense look at a narrow geographic area and time period. However, it must be recalled that in the twelfth century, France was the most important intellectural center in Europe. As such, Schine-Gold's narrow focus actually allows her to examine trends and developements of broad significance during the medieval period. By combining a solid grasp of literary criticism with a stellar view of art history, Schine-Gold produces a book that is of interest to students of several disciplines: medieval literature, history, art, and even religion and philosophy. Her close readings of texts and monuments allow her to develope some solid, interesting, and sometimes surprising theories that have an impact on ones's general understanding of 12th century France and the Middle Ages in general. A fine, fine work I would recommend to experienced undergraduates as well as those of great experience in their fields.
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