When The Oxford Dictionary of Music first appeared, it was hailed as "without question the most comprehensive, detailed, reliable one-volume reference work on music now available in the English language" (Music and Musicians). Extensively revised and expanded, the second edition features over 900 entirely new entries, and many more descriptions of U.S. composers and performers than in the original work. Now with over 12,000 total entries, the dictionary remains the most comprehensive one-volume reference work available, offering a wealth of information on music and musicians from the Middle Ages to the present. As in the past, the dictionary's coverage is exceptional, spanning musical topics of all kinds. Arranged alphabetically and laid out in an attractive two-column format, the entries cover over 2,000 composers of all nationalities, from Ludwig van Beethoven to Stravinsky and Strauss (including extensive, up-to-date lists of their principal works); almost 1,800 entries on performers in all fields, from Beverly Sills, to Paul McCartney, to Vaclav Nijinsky; over 450 entries on conductors; over 2,200 definitions of musical terms and forms, such as "intonation," "reggae," and "partimento"; over 550 descriptions of musical instruments; entries on leading orchestras and music academies around the world; and information on critics, journalists, and other writers on music. Written to appeal to general readers as well as musicians and musicologists, The Oxford Dictionary of Music is an indispensable addition to the reference shelf of the concert goer, the opera buff, the record buyer, or anyone involved in music, whether amateur or professional.
The dictionary is compact and informative. Although an apter title would be "Oxford Concise Dictionary of Classical Music". I cannot find "punk'" in it.
A Must HAVE for music students...
Published by Thriftbooks.com User , 18 years ago
My daughter is a music major, and I used to teach private lessons. This is a great book for a quick reference guide to theory terminology, and is a must have for anyone taking a music class of any sort, but an absolute necessity for those in music theory courses. A great, and as the name states, concise compellation of just about any term you'll ever need to know!
Very handy and most useful for any musician or general lover of music
Published by Thriftbooks.com User , 19 years ago
Music has often been described as the universal language, but the terms a musician has to read on the printed page of the score are specific words in various languages. If we only had to deal with the basic piano or forte of diminuendo or other basic terms it would not be a problem. However, there are thousands and thousands of more obscure terms that deal with performance, types of instruments (and their component parts), composers, works of various types, and so forth. That is why a well-executed hand sized book like this is so valuable. You can keep it on your piano in easy reach when you turn the page and haven't a clue what Debussy or Beethoven or some other composer left there for you to decipher. It is true that this dictionary does not have a pronunciation guide, but that is simply because these words are said differently in different places and since it has to be "concise" the choice would be to have half as many terms and pronunciations (and the problem of picking among many possible ways of saying the words) or leaving out the pronunciations and having many more terms. I am glad they picked the latter. There are a few illustrations, and they are well chosen but sparse. Highly recommended. Every musician or general lover of music is better off with this book or one like it kept nearby.
An indispensible guide
Published by Thriftbooks.com User , 22 years ago
A comprehensive, well-organized volume that covers composers, compositions, periods and styles, terminology (though I must agree with another reviewer--this really needs a pronunciation guide for some of the more difficult names and terms), instruments, vocalists, cultural context, and more. Major composers get more attention, with longer bios and more detailed entries, though the entries for some of the more notable people (such as George Gershwin) come up a little short in detailing their impact and significance. I purchased this book about a year ago, when I found myself becoming more interested in classical music, and it has proven to be extremely handy in identifying major pieces, performers, and composers. A must-have for music majors and libraries (both college and public) and for individual reference, and as an added bonus, is a godsend for those of us who do crossword puzzles.
Indispensable desk reference tool
Published by Thriftbooks.com User , 25 years ago
As the maintainer of the Classical Archives, I use this reference every single day. Its contents has been most judiciously selected to permit searches on composers, musical forms, terms, instruments, orchestras and performers. Each composer's entry offers a work-list which provides an excellent perspective. An invaluable tool indeed.
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