Henry VIII: The King and His Court

In one sense, I am at a disadvantage in assessing this volume. I am not an historian of this era, so I cannot confidently judge well the accuracy of Alison Weir's rendering of events and people. I have, of course, read other works dealing with this period, and I'm not sure that my understanding of them would contradict her major points. That said, I am most impressed with this work. The author covers many aspects of English history--including day-to-day life--of the time. We read of medical practice (ugh), music, art, architecture, customs, drama, clothing, sports (e.g., hunting, archery, tennis, jousting, and so on), the internecine politics (when losers could lose their lives; politics was serious business), and the relationships among families in England of the era. This book is as much about the country at that time as about Henry VIII. Henry VIII is portrayed in great detail. This is not a Charles Laughton view of the king. It is much more nuanced. It is true that, if Weir be correct, Henry became more rigid and unforgiving and vain and distrusting and autocratic as he aged. He drove England close to financial ruin with his wars (which often had little effect, even though costing much) and with his incessant building projects (his own palaces as one key example).But this should not detract from other of his accomplishments. He supported the arts; he was one of the more educated and intellectually oriented monarchs of the time. It may be that Weir romanticizes him to some extent, and that ought to be noted. But his was not simply a dissipated period in English history. Of course, many would wonder about his rendering of the multitudinous wives of the monarch. Weir does spend time on this part of his life, including the Machiavellian politics associated with Henry's marriages (factions would use potential wives as pawns in power struggles). Weir's assessments of the various wives are pretty fair. We might be surprised to know of his affection for Katherine of Aragon; it is fascinating to watch the pas de deux between Anne Boleyn and Henry before their wedding; and so on. Then, the descriptions of the hard ball politics of the era--featuring actors such as Wolsey, Cromwell, More, Cranmer, and the nobles of the time. All in all, an accessible and very readable work on Henry VIII and his time. I'd strongly recommend. . . .

Generally, I'm not a fan of Weir, as she made a number of errors in her "The Six Wives of Henry VIII". At times her research is faulty. Unfortunately, this book also suffers from mistakes: one of the most glaring is not doing her homework on the 16th C. Tower of London. The current site of the scaffold, in front of St. Peter ad Vincula, was a Victorian notion, and Anne Boleyn's coronation lodgings, where she stayed after her arrest, is not the present Queen's House (but does include salvaged architectural features). As a historian, she should not fall into the "tourist trap". However, this book reveals a superb grasp of overwhelming amounts of quirky primary source documents; quite the task. Also, it is a perfect adjunct to countless biographies that overlook this type of background material. While not a biography of Henry VIII per se, this book is a fascinating glimpse into the machinations of his court over time. This lion king, fierce, ruthless, gifted and charming, presided over the first truly Renaissance court in England. Ms. Weir combed obscure sources for hitherto unknown insights and has written them into a cohesive social history. Who knew Henry VIII and Anne Boleyn both favoured cherries and strawberries above all other fruit? I had heard Henry VIII was fastidious in his personal hygiene, but here all is described at length: his daily routines, his eating and exercise habits, how he dined and with whom, the monumental progresses, plus his being the centre of an enormous courtly universe. What protocols his courtiers had to observe! And even Henry VIII is not the master of destiny, at least not in the minutae: he, too, was bound by conventional expectations of kingly behaviour. Even as Henry was clean, his courtiers were hardly so: where else would find details such as crosses carved into palace walls to prevent men from urinating against them? Utterly charming. Here we see Henry's human side; I am familiar with Scarsbrick's intellectual view of Henry -- the man of policy and passion, the ecclesiastical and political dimensions. Here we see the business of being king; one sees 'Dieu et Mon Droit' in action, the pageantry, the spectacle, the dangers associated of rising too close to this brilliant sun. Much of it all must have been tedious, but Henry was born to the task (even if he were not destined to be king). And Henry is not the only one addressed from an unconventional angle: Ms. Weir has unearthed details regarding Henry's wives and associates which normally escapes biographers. Occasionally, however, she does go out on an unsupported, unconventional limb, but overall, this is a wonderful companion piece to more difficult scholarly analyses of the period. Indeed, the book is easy to digest, although some unfamiliar with Henry VIII's reign might find the detail overwhelming. For the aficionado it is a welcome addition.

Unlike some of the reviewers, I have been disappointed in some of Ms. Weir's books (especially those dealing with Richard III, where she skews the facts to fit her prejudice). But this one is a gem. WARNING: It is NOT a biography of Henry VIII (nor does it claim to be). It is a wonderful portrait of a court and an age. If the details of everyday life enchant you, you will love this book: you'll learn what Henry's court ate, drank, wore; how they ate, how they drank, and when they wore what! You'll get details about the various royal (and non-royal) residences that are very difficult to find elsewhere: how they were furnished, financed, run, used. And this time, Weir is scrupulous in citing her sources and in using them well. Where there are disputed facts, she indicates this. When she is hypothesizing, she indicates this as well. It is true that she appears to be quite fond of old Henry, but not as he became. Rather, I think, she admires the potential that was in the young king, the goodness, basic decency that could have made him England's best (if not greatest) king. The potential for selfishness, greed, paranoia, and self-delusion was also there--unfortunately, the bad side won! After reading Weir's book, I now share both Weir's semi-nostalgic admiration and her regret.

I always enjoy Alison Weir's biographies; they are scrupulously researched, her arguments are based on that research and her conclusions are carefully drawn and fair. She is sure of her stance, but is flexible enough admit doubts. In "Henry VIII: The King and His Court," Weir has dug even deeper into a subject about which she has written many times -- the brilliant Tudors who reigned over Britain's flowering rennaissance. Here she offers up an amazing amount of detail on not only the King and his six wives, but also on the astonishing array of people who made up his court, conselors and companions. Among other things, Weir credits Henry with introducing humanist teachings and philosophy to England, limning him as a great scholar, musician, athlete, scientist, author and patron of the arts. And yes, she does point out that he aged into a splendid and cruel tyrant, bankrupting the country with needless wars and very conscipuous consumption most often meant to impress royal rulers across Europe with lavish gestures and costly entertainments. All this glory and grandure was for a tiny elite; Henry most often ignoredthe growing restlessness of his mostly impoverished subjects, as he revolutionized religion in his realm to suit his dynastic needs. "The King and His Court" shines a bright light on the details on every aspect of the lives of the great and noble (and the occasional confection creator, armorer, or gifted craftsman). We learn what they wore, how they amused themselves, what and how they ate, who slept with whom, their innovations in architecture, art, dance, religion practices, how much this all cost (the sums are staggering) and much more. While all of this gossipy detail is delicious, and Henry's story of marital woes and his quest for an heir always makes a good read, what this book is outstanding in Weir's fully realized portraits of the remarkable denizens of Henry's court, from the humanist scholar Erasmus, to the martyred Thomas Moore, to the genius of the artist Holbein, to that cunning intriguer, Cardinal Wolsey. The richness of character, the fullsomeness and variety of information, the unstinting portrait of the complex Henry all add up to an enormously rewarding book. To read this book is to gain a whole new understanding of one of the most important chapters in Britain's royal history. Read this wonderful book to learn that Henry made it fashionable to sleep in a nightshirt, liked to concoct his own tonics and nostrums, was one of Europe's greatest dancers, was a talented composer and player of many instruments, and was a recognized and dedicated fashionista with a daring color sense...and, yes, how he dealt with those six wives, good, bad, sad and tragic.