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Paperback Choruses Book

ISBN: 156689090X

ISBN13: 9781566890908

Choruses

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Book Overview

Quincy Troupe launches a pyrotechnic display of jazz rhythms, political commentary, sports tributes, travelogues, and architectural abstracts in his latest volume of poetry, withChoruses. Merging traditional poetic form with contemporary content, Troupe fashions "words & sounds that build bridges toward a new tongue", as he writes in "Song," an ars poetica. Only Troupe could write a sestina chronicling the mass suicide of Heaven's Gate, or a villanelle for Michael Jordan: "rising up in time, michael jordan hangs like an ikon, suspended in space / / his eyes two radar screens screwed like nails into the mask of his face." A masterful technician, Troupe experiments with free verse as well, repeating the same words in three different line-break configurations in "Images: Three Variations of Shape & Form." From haiku to tonka, from Mark McGwire to Sammy Sosa, from bebop to hip hop, these choruses "become sound tracks lifted off a poet's tongue, / / syllables, within moments, are transformed into song..."

"Troupe's sixth collection covers a wide cultureal bandwidth: the Monica-gate scandal, the Heaven's Gate mass suicide; jazz greats like Miles Davis (Troupe's Miles: The Biography is the standard) and Richard Muhal Abrams; sports stars like Michael Jordon, Sammy Sosa and Mark McGwire; lesser know artists like GeorgeLEwis & the Dancers at Laguna Pueblo, painter Robert Colescott and many more. Perhaps to formally mirror the mix, Troupe puts sonnets, villanelles and sestinas in the midst of his more characteristic jazz-inflected free-verse lines. The best poems here, however, eschew traditional European forms, and foreground Troupe's mastery of a sprawling American vernacular: "the tongue in his hands now was once a saxophone when whole, / was a blur of fingers whooshing through golden keys of his voice belling/ . . . .conjures up spirits, the drumbeat of strong hearts goosing everything along." Troupe doesn't quite go as far into uninhibited linguistic musicality as, say, Clark Coolidge, Will Alexander or the best rhapsodic passages in Kerouac. Yet his unwillingness to forgo teh referential severrs a powerful didactic function beyond "the tough aesthetics" of contemporary poetry, as Troupe often employ

Customer Reviews

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Troupe's Luminous Maturity Speaks

Q. troupe's Luminous Maturity truly speaks out in this learned, secondary collection of poems that draws from a wide influence of jazz/musical forms, politics, art, and the beauty and power of our own collective linguistics.If, as a reader of poetry and/or prose, you would like a generous sampling of Troupe's work, this would be a very recommended read, for it allows a sense of continuity, definition and recapitulation of Troupe's ever-evolving oeuvre to be sensed: You have the presence of Troupe's brillaint immersion of contemporary thoughts/ideas with that of classical poetic forms: sestinas, villanelles, haikus & tankas - among them, a collection for the Point Loma Waste-Water Management Project in San Diego - and his literary musical/cadenced innovations covering a wide array of subjects from visual/sculptural art, to contemporary politics, to familial reflections/tropes and his speciality: forms attempting to emulate the steady pace and flowof Jazz, especially that of Miles Davis.Aside from some of the more lengthy, free-wheeling and boundlessly expanding poems, and perhaps from his (sometimes, but rarely) careless digressions into other lesser-known aspects of living and life, Quincy Troupe's poetry speaks with a resonance and clarity greater than the abstractions of most poets, and itsmanifestions can best be seen through this work.
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