1.1 In the desert: phenomenology of body and space. Space given through lightning. Invisible complexity.
1.2 the jungle: from 2D of the desert into 3D. The limiting contextual parameters, Maslow's pyramid.
1.3 The human dream of creating our own world.
2.1 Spaces of human excess, the history of using materials from outside of the context as a form of luxury.
2.2 Heidegger's hut, space taken from and build out of the immediate context Is there a grand narrative?3.1 The patterns in nature
3.2 Self implied rules (Greek, Egyptians, Le Corbusier's eyes that don't see)
3.3 Boullee's mental image of space The Limit4.1 Fire (extending context)
4.2 Fear (of the unknown, the space where imagination takes over)4.3 Demarcations (boundaries)
4.4 Death (the ultimate limit of life, and how to overcome this limitation architecturally) It all started with a fire5.3 Character two: The Inventor
5.4 Character three: The Architect
5.5 Character four: The Father of Cool Architectural world domination6.1 Bauhaus - Teach them how to fish
6.2 Weissenhofsiedling - Practical experience
6.3 CIAM Congr?s internationaux d'architecture modern - Intellectual formulation of the idea of modern architecture6.4 Exhibition at Museum of Modern Art, new York, A first taste of the American dream
6.5 Bye-bye Hitler, hello America! Me, I build this world8.1 Definition
8.2 Example: the deep transitional spaces of Seven, the human adaption machine of Woody Allen in Zelig
8.3 The nowhere is sending messages10.1 Japanese architecture, zenenkons, (The history of an architect in Japan, from hands to minds)
10.2 Shinohara, the anti-metabolist10.3 Shinohara projects
10.4 Both-and Japaneseness
10.5 The house as a work of art, universe in itself
10.6 The world's most famous unknown architect: Influence of Shinohara on architecture Conclusion: The future is not what it used to be12.1 A re-introduction of the context back into architectural spaces, as a deliberately limiting element to appreciate geographical and/or climate conditions
12.2 The zero-time space. KHMER ROUGE, Superstudio, Archizoom, tracing transitional space to an extreme.
12.3 Is there a dialectic?