" This provocative study traces Alfred Hitchock's long directorial career from Victorianism to postmodernism. Paul Cohen considers a number of Hitchcock's most acclaimed films- Shadow of a Doubt, Rear Window, Vertigo, Psycho -as well as some of his less well-known ones- Rope, the Wrong Man, Topaz -and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author prov
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